Class IX – English Language & Literature
Term-I Examination — Complete Answer Sheet
| No. | Error | Correction |
|---|---|---|
| 1 | was | were |
| 2 | have | has |
| 3 | were | was |
| 4 | was | was — already grammatically correct |
| Blank | Correct Answer |
|---|---|
| 1 | visited |
| 2 | was making |
| 3 | talked |
| 4 | helped |
A. Notice
N.R.K. PUBLIC SCHOOL
NOTICE
GRANDPARENTS’ STORYTELLING DAY
5 October 2026
The Literary Club is organising a Grandparents’ Storytelling Day on 15 October 2026 at 10:00 a.m. in the school auditorium. Students are invited to bring their grandparents to share interesting stories, experiences and memories. Interested students should register with the Literary Club Secretary by 10 October.
Abhishek Kumar
Literary Club Secretary
B. Informal Invitation
Dear Riya,
I am celebrating my grandmother’s 75th birthday with a small family gathering at my home on 12 October 2026 at 6:00 p.m.. I would be delighted if you could join us and make the occasion more special.
With love,
Abhishek
A. Letter to the Editor
24, School Road
Motihari, Bihar
5 October 2026
The Editor
The Hindu
New Delhi
Subject: Need to preserve traditional Indian crafts
Sir/Madam,
Through the columns of your esteemed newspaper, I wish to draw attention to the decline of traditional Indian crafts among young people. Many traditional artisans struggle because younger generations are attracted to modern occupations and handmade products often receive inadequate recognition and financial support.
Schools should introduce craft-based activities and organise workshops conducted by local artisans. Government agencies should provide training, financial assistance and better market access to craftspeople. Traditional products can also be promoted through exhibitions, e-commerce platforms and tourism programmes.
Young people must understand that traditional crafts represent India’s cultural identity and provide livelihoods to thousands of families. Concerted efforts by schools, communities, government and consumers can ensure that these valuable traditions survive.
Yours faithfully,
Abhishek Kumar
B. Formal E-mail
To: principal@nrkpublicschool.in
Subject: Proposal for a Weekly Inter-generational
Learning Programme
Respected Sir/Madam,
I would like to suggest the introduction of a weekly inter-generational learning programme in our school. Under this programme, students could interact with grandparents and elderly members of the community and learn traditional skills, stories, folk practices and valuable life experiences.
The programme could be conducted once a week for one hour. Elderly participants could demonstrate traditional crafts, narrate historical experiences, explain local customs and share practical knowledge. Students could document these sessions through written reports, photographs and presentations.
Such an initiative would strengthen respect for the elderly while helping preserve valuable cultural knowledge. It would also provide students with meaningful learning beyond textbooks.
I request you to kindly consider introducing this programme.
Yours faithfully,
Abhishek Kumar
Class IX
A. Factual Description
School Exhibition on Indian Traditional Crafts
The school organised a two-day exhibition on “Indian Traditional Crafts” to create awareness about India’s rich cultural heritage. A total of 180 students participated in the exhibition. It was divided into four major sections: Pottery, Hand Fans, Weaving and Embroidery. Students displayed different traditional products and explained their cultural importance to visitors.
A special attraction of the exhibition was the live demonstration by local artisans, who showed visitors how traditional crafts are made using indigenous techniques and materials. The exhibition was visited by students, parents and local residents. It provided an opportunity for young learners to understand the skill, patience and creativity involved in traditional craftsmanship.
B. Magazine Article
The Wisdom We Receive from the Elderly
Elderly people are living libraries of experience. They have witnessed changes in society and can teach younger generations valuable lessons that cannot always be learnt from textbooks.
Grandparents often share stories about their childhood, traditions, difficulties and achievements. Such experiences teach us patience, responsibility, resilience and respect for others. In How I Taught My Grandmother to Read, the grandmother’s determination shows that learning has no age limit.
Young people should spend time with the elderly, listen to their experiences and learn traditional skills from them. At the same time, young people can introduce them to new technology and ideas. Thus, inter-generational learning benefits both sides.
A. A Traditional Craft Village – A Living Museum of Indian Culture
A traditional craft village is like a living museum where culture can be seen, heard and experienced rather than merely displayed. As I entered the village, I could hear the rhythmic sounds of artisans working with clay, bamboo, thread and wood.
Several potters sat beside their workspaces, carefully shaping wet clay into beautiful pots. Their hands moved with confidence and patience. Nearby, women were weaving colourful fabrics and decorating them with intricate patterns. Some artisans were making traditional hand fans from bamboo and natural materials. The air was filled with the pleasant sounds of tools, conversations and occasional laughter.
The village was full of colours. Bright fabrics, painted pots, embroidered articles and beautifully decorated handicrafts created a fascinating sight. The smell of wet clay mixed with the fragrance of natural materials made the experience even more memorable.
I was particularly impressed by the skill and patience of the artisans. Their knowledge had been passed from one generation to another. I realised that these crafts were not merely products for sale; they represented the history, identity and creativity of Indian communities.
The visit filled me with respect for traditional artisans and made me understand why their skills must be preserved.
B. Narrative Essay – Grandpa Taught Me More Than I Expected
I had always thought that my grandfather needed someone to look after him. That morning, however, I discovered that there was much more I could learn from him.
My mother had repeatedly told me that Grandpa was becoming forgetful and needed supervision. I therefore decided to follow him secretly when he went out. I imagined that I was protecting him, but my plan soon turned into an embarrassing adventure.
Grandpa visited several places while I followed him from a distance. I tried to hide whenever he looked around. At one point, I even followed a stranger onto a bus because I had lost sight of Grandpa. I felt completely foolish.
When I finally returned home, Grandpa was already there. He looked at me calmly and gave me a gift—a detective book. I soon realised that he had known all along that I was following him.
His cleverness surprised me. More importantly, I understood that his age did not make him helpless. He was independent, observant and capable of taking care of himself.
That day I learnt an important lesson: caring for elderly people does not mean taking away their independence.
A. Preservation of Knowledge Across Generations
The three chapters show that knowledge and experience must move from one generation to another. In How I Taught My Grandmother to Read, learning moves from the young to the old. The granddaughter becomes the grandmother’s teacher and helps her become independent. At the same time, the grandmother’s determination teaches the granddaughter valuable lessons about discipline and the importance of education.
In The Pot Maker, traditional pottery survives because experienced artisans pass their knowledge to younger learners such as Sentila. Winds of Change similarly highlights the importance of preserving traditional pankha-making techniques and regional craftsmanship.
These texts show that generations should learn from one another. The elderly possess experience and cultural knowledge, while young people bring enthusiasm and new ways of learning and preserving traditions.
B. Challenging Modern Judgements About Age and Ability
The texts challenge the idea that elderly people or traditional artisans are less useful because they may not fit modern ideas of productivity. In How I Taught My Grandmother to Read, Krishtakka is sixty-two, yet she learns to read with remarkable determination. Her age does not prevent her from achieving her goal.
In Vitamin-M, Grandpa is initially treated as forgetful and incapable, but he proves to be intelligent, independent and observant. Similarly, The Pot Maker shows that traditional artisans possess valuable knowledge that cannot simply be replaced by modern methods.
These texts therefore teach us to judge people by their abilities, character and experience rather than by age or modern standards of productivity.
A. Grandmother and Grandpa – Different Expressions of Independence
Grandmother and Grandpa are both strong-minded elderly characters, but they express their independence differently. In How I Taught My Grandmother to Read, Krishtakka seeks independence through education. She realises that her illiteracy makes her dependent on others, so she learns to read despite being sixty-two. Her determination proves that age is not a barrier to learning.
In Vitamin-M, Grandpa expresses independence by refusing to be treated as helpless. Although his family worries about his memory and safety, he wants to make his own choices. His intelligence and cleverness are revealed through his actions, particularly when he realises that Ravi is following him.
Both characters therefore challenge stereotypes about old age by demonstrating determination, dignity and capability.
B. Tradition Survives Through Learning and Practice
Tradition survives only when people are willing to learn, practise and pass it on. The Pot Maker demonstrates this through Sentila’s determination to learn pottery. Although her mother initially considers pottery difficult and poorly paid, the traditional skill is important to the community’s cultural identity. With guidance and observation, Sentila gradually develops the ability to make pots.
Similarly, Winds of Change presents pankha-making as an important part of India’s regional craft heritage. Different communities have developed distinctive materials, designs and techniques for making hand fans. Workshops, demonstrations and exhibitions can help younger people learn these skills and create appreciation for the artisans who preserve them.
Thus, traditions remain alive only when knowledge is transferred from experienced people to new generations and the younger generation is willing to value and practise it.

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