Comprehensive Chapter Solutions
Part 1: Twin Melodies
Reflect and Respond (Page 169)
I. Identification of Stringed Instruments:
- Santoor
- Sarangi
- Sitar
- Sarod
- Mandolin
- Violin
- Guitar
- Banjo
II & III. Subjective Responses (Sample Answers):
- II. Do you play a musical instrument? Yes, I play the keyboard. If given a choice, I would choose the Guitar because of its versatility in playing both classical and contemporary melodies.
- III. Difference in choice of music between children and elders? Yes, there is usually a difference. Elders often prefer classical, traditional, or slow-paced music that holds cultural or nostalgic value. Children and youngsters typically prefer fast-paced, contemporary, pop, or fusion music, which aligns with modern trends.
IV. Paragraph Completion (Choosing the correct phrases):
*Figurative meaning note: Phrases like “bite the bullet” and “sweating on” are figurative idioms.
Check Your Understanding – Act I (Page 174)
I. Complete the table based on Act I:
| Setting | |
|---|---|
| Where: | Iqbal’s room |
| Description of the room: | A small rack, and a wooden table stacked with books. |
| On the wall: | Posters of famous Indian flute players Pandit Hariprasad Chaurasia and Shashank Subramanyam. |
| Children & Instruments | Speaker | Words of the Speaker | Reason |
|---|---|---|---|
| 1. Iqbal: flute 2. Avinash: tabla 3. Peter: keyboard 4. Shruti: violin |
Avinash | “Oh ho! Wow Shruti! You are a sensation now! The least you can do is throw a party!” | Because a local newspaper praised Shruti’s recent performance with her famous father. |
| Shruti | “There is need to worry Iqbal! You don’t know papa.” | Because she fears her strict father will be angry that she is using her classical violin to play Western fusion tunes. | |
| Peter | “That’s the spirit!” | To encourage Shruti after she courageously promises to bring up the topic with her parents at dinner. |
II. Will Shruti gather the courage to speak to her father?
Yes, she will gather the courage. The constant encouragement and logical reasoning provided by her supportive friends, Iqbal, Avinash, and Peter, give her the final push she needs to “bite the bullet”.
III. What might be Shruti’s father’s reaction? Why?
He will most likely be furious and highly disapproving. He is described as a strict traditionalist who believes that Classical Hindustani music is the only music an artist of any worth should play. He would view playing fusion music as a desecration of the violin.
Check Your Understanding – Act II (Page 177-178)
I. Summary of Act II:
Shruti seemed 1. absent-minded during dinner. She finally gathered the 2. courage to inform her father, Nabin, about her wish to participate in an upcoming Indo-Western fusion concert. Nabin reacted negatively, expressing 3. disapproval of fusion music and dismissed the idea. Despite Shruti’s 4. plea to him to attend a practice before deciding, Nabin was 5. firm in his decision. Shruti’s mother, Leela, 6. scolded her for not seeking permission earlier. The tension highlights the 7. clash between traditional and contemporary musical preferences within the family. Despite the 8. setback, Shruti promises not to hide again and is urged to go to bed by her mother.
II. Will Shruti’s father go for the rehearsal?
Yes, he will likely go. Despite his outward firmness, Leela (the mother) will probably convince him to attend, as mothers often mediate such family disputes. Also, his deep underlying care for his daughter’s talent will make him curious.
III. Do you think Shruti and her parents would understand one another?
Yes, eventually. True understanding will bridge the gap once her parents witness her genuine talent and respect for the raga notes, proving that modernity (fusion) does not necessarily mean disrespecting tradition.
Check Your Understanding – Act III (Page 181-182)
I. True/False Statements:
- During the rehearsal, Shruti’s parents enter the room and are overjoyed at her performance. → True
- Shruti initially considers telling her friends that she can’t join them for the performance, after practising one last time. → True
- Shruti’s father expressed that she sung a few notes incorrectly during her performance. → False (He praised her for not losing sight of the raga notes even once.)
- Shruti’s father had followed the family’s tradition of being a vocalist and worked very hard to achieve all that he did. → False (His family were vocalists, but he broke tradition to play the Western violin.)
- Shruti’s mother helped her husband realise why he should support their daughter. → True
- Shruti’s father accepts that he underrated the potential of classical music. → False (He says he “underestimated the power of our own music” to hold its ground within a fusion setting, not that he underrated classical music itself.)
Critical Reflection – I (Extract-based Questions, Page 182-183)
- Extract 1 Questions:
- (i) Correct Option: D. in a dilemma
- (ii) Meaning of ‘the right way’: It refers to finding a respectful, gentle manner of communicating her desires that won’t hurt her father’s traditional sentiments or make him feel disrespected.
- (iii) Completion: …because Shruti wants to explore modern Western fusion to broaden her horizons, while her father strictly adheres to the rigid purity of traditional Hindustani classical music.
- (iv) Iqbal’s assurance: Iqbal reminds Shruti that despite his strictness, Nabin is her father. His underlying parental love will eventually help him understand and support her choices.
- (v) Phrase from extract: “…of any worth.”
- Extract 2 Questions:
- (i) Correct Option: B. traditional values and modern expressions
- (ii) Fill in the blank: The extract uses the word ‘lost’ both in the sense of losing one’s roots/tradition and physical separation.
- (iii) Odd word out: duty (A hug shows reconciliation, acceptance, harmony, and understanding, not formal duty.)
- (iv) Shruti’s future: She will confidently and successfully pursue fusion music alongside classical, knowing she has the full trust, blessing, and emotional support of her family.
- (v) Phrase: “each bay, its own wind.”
Critical Reflection – II (Short Answer Questions, Page 184)
- Title ‘Twin Melodies’ & Theme: The title beautifully represents the harmonious blending of two different entities: Indian classical and Western music (fusion), as well as the bridging of the generational gap between a traditional father and his modern daughter. The play explores how tradition and modernity can coexist and enrich one another rather than being in conflict.
- Perspectives of peers: Iqbal, Avinash, and Peter view authority figures as approachable and believe open communication resolves conflicts. Their supportive and practical attitude highlights their progressive values, showing they value transparency and peer encouragement over silent fear.
- Character of Nabin Sharma: Nabin starts as a rigid, traditional purist who views fusion music as a “desecration” and mere “hubbub.” However, his character evolves wonderfully. Upon actually listening to the music and being reminded of his own youthful rebellion by his wife, he becomes an understanding, proud, and supportive father.
- Theme of duty vs. passion: Shruti’s internal conflict is the crux of the play. She deeply respects her father’s opinions and classical heritage (duty), but she also desperately wants to experiment with fusion music (passion). The play resolves this by showing that pursuing passion does not equal abandoning duty or heritage.
- Effectiveness of conclusion: The conclusion is highly effective and realistic. It is very common for strict parents to soften when they witness their child’s genuine talent and dedication firsthand. Leela’s reminder of Nabin’s own past rebellion adds a logical and emotional depth to his change of heart.
- Cultural diversity: Cultural diversity drives the plot. The attempt to blend Eastern classical ragas with Western instruments (keyboard, western flute) creates the central conflict. Ultimately, the successful Indo-Western fusion symbolises that diverse cultures can come together to create something universally beautiful.
Vocabulary and Structures in Context (Page 184-188)
I. Usage of ‘Aside’:
- Correct Option: (iv) (i), (ii), and (iii). An aside allows a character to speak their inner thoughts directly to the audience, bypassing the other characters on stage.
II. Non-lexical Fillers:
- Why are they used? To fill pauses while a speaker gathers their thoughts or transitions between ideas.
- Matching emoticons to fillers:
- (Relief/Wiping sweat): whew
- (Thinking): hmmm
- (Confused/Hesitant): err
- (Clearing throat to speak): ahem-ahem
III. Match the Music Words (Page 186):
| Column 1 | Column 2 |
|---|---|
| 1. rhythm | (iii) the pattern of beats or time intervals in music |
| 2. tempo | (iv) the speed or pace at which a piece of music is played |
| 3. bass [p.base] | (i) the lowest tone or part in music |
| 4. baritone | (v) a male voice that falls between the higher and lower ranges |
| 5. cacophony | (ii) a mixture of loud unpleasant sounds |
| 6. pitch | (vii) the perceived frequency of a sound, how high or low a sound is |
| 7. scale | (vi) a series of musical notes moving upwards or downwards |
IV. Meanings of Underlined Phrases (Page 186):
| Phrases | Meanings |
|---|---|
| 1. …drown your individual style. | To completely lose your unique identity or personal creative touch by blindly blending into a large group or trend. |
| 2. …sense of musicality. | An inherent understanding, deep appreciation, and natural talent for music and its technical nuances. |
| 3. …go down the drain. | To be completely wasted, ruined, or lost without achieving the desired result. |
V. Exclamatory to Declarative (Page 187):
- Sentences 1 and 2 are exclamatory sentences.
- Declarative Conversions:
- I enjoy performing this piece very much.
- You all have done a wonderfully soulful job.
VI. Reported Speech (Page 187):
- (Done in text)
- Iqbal exclaimed with delight that it was an incredible achievement and that he couldn’t believe they had pulled it off.
- Shruti’s mother applauded that each note had been executed perfectly, and the performance had been flawless.
- Iqbal stated humorously that he basically had a little bit of scolding for breakfast every day.
- Shruti apologised to her mummy and promised that she wouldn’t hide things from her again.
- Avinash exclaimed that she was a sensation then, and added that the least she could do was throw a party.
VII. Report the Dialogue (Page 187-188):
Listen and Respond (Page 188)
I & II. Identify the Yazh:
The Yazh is an ancient Indian harp. Based on the visual descriptions, Image 3 (the fish/boat shaped harp, known as the Makara Yazh) is the correct choice.
III. The Yazh Notes:
- Type of instrument – The Indian Harp
- (i) Was used in: Ancient Tamil music / Sangam period
- (ii) Earlier version of: The Veena
- Design
- (i) stem tip shaped like the head of mythological animal
- (ii) resonator: A. shape of a boat/fish B. material wood and skin
- Design variety
- (i) peacock, boat-shaped and bow string
Writing Task: Play Script (Page 190)
The Tabla’s Call
Setting: The living room of Anuradha’s house. A pair of tablas rests neatly on a rug. Anuradha is sitting near them, looking worried. Her mother, Sunita, and younger brother, Rohan, are nearby.
Characters:
ANURADHA: A teenage tabla prodigy
RAMESH: Anuradha’s father, a strict vocal music teacher
SUNITA: Anuradha’s supportive mother
ROHAN: Anuradha’s enthusiastic younger brother
ANURADHA: (Aside, sighing deeply) I have been invited to perform at the State Youth Festival! It is the opportunity of a lifetime. But how do I tell Papa? He only values vocal music. He will never allow me to play the tabla on such a big stage.
ROHAN: (Excitedly jumping) Didi! Why are you looking so sad? You should be jumping with joy! You are going to be a star!
SUNITA: (Placing a comforting hand on Anuradha’s shoulder) Rohan is right, beta. You have practised day and night for this. We are so proud of you.
ANURADHA: (Nervously) I know, Maa… but Papa… er… you know how he feels about percussion instruments. He thinks they are just background noise for vocalists.
(Ramesh enters the room, holding a folder of sheet music. He notices the tension.)
RAMESH: (Sternly) What is going on here? Why is everyone staring at me like I just sang off-pitch?
ANURADHA: (Swallowing hard) Ahem… Papa, I… I received a letter today. The school wants me to perform a solo piece at the State Youth Festival. On the tabla.
RAMESH: (Frowning, setting his folder down) Solo? On a tabla? Anuradha, we have discussed this. A true artist channels the divine through their vocal cords. The tabla is merely an accompaniment. You should be focusing on your riyaz (vocal practice).
SUNITA: (Firmly but gently) Ramesh, please listen. She is extraordinary on the tabla. Let her show the world her own unique melody. Support her, just as you support your students.
RAMESH: (Pauses, looking at the tabla, then at Anuradha’s hopeful eyes) … Let me hear this “solo” piece first. Then, we shall decide.
(Anuradha beams and immediately begins to play a complex, brilliant rhythm. Curtain falls.)
Part 2: A Friend Found in Music
Check Your Understanding (Page 195)
I. Complete the poet’s diary:
II. Let us appreciate the poem:
- The phrase ‘moves me’ in the line ‘That moves me to the core,’ is an example of an idiom (or figurative language).
- Metaphors into Similes:
- Metaphor: Music is the ocean → Simile: Music is as vast and deep as the ocean.
- Metaphor: Music is the rhythm → Simile: Music is like a rhythm that guides my heart.
- Metaphor: Music is the therapy → Simile: Music acts like therapy when I am sad.
- Rhyme scheme: The rhyme scheme is ABCB (e.g., ocean/shore/rhythm/core – wait, shore and core rhyme. blue/through rhyme. there/care rhyme).
Impact: It creates a musical, soothing, and rhythmic flow that mimics the comforting nature of music itself. - Repetition of ‘music’: The poet repeats the word ‘music’ at the beginning of lines (anaphora) to emphasise its constant, overarching presence and absolute importance in every aspect of her life.
- Message: The poem conveys that music is a powerful, healing force. It is a constant, dependable friend that provides emotional support and therapy during both our highest highs and lowest lows.
- Mood: (ii) thoughtful.
- Evidence: The repeated use of first-person pronouns such as “me”, “my”, and “I” (e.g., “pulls me”, “my spirits”, “I feel blue”) indicates that the speaker is sharing her own personal reflections.
Critical Reflection – I (Extract-based Questions, Page 196)
- (i) Completion: The phrase ‘feel blue’ indicates feeling sad, depressed, or downhearted.
- (ii) Line showing happiness: “The times when I’m most cheerful,” (Alternatively, from the extract itself: “Music lifts my spirits”).
- (iii) Last line significance: “To make sure I pull through” signifies that music provides the poet with the emotional resilience and strength required to survive and overcome difficult times.
- (iv) True/False: True.
- (v) Central idea: A. Music brings comfort during sadness.
Critical Reflection – II (Short Answer Questions, Page 196)
- How is music able to move the poet ‘to the core’?
Music connects with her on a profound, spiritual level. The melodies and rhythms resonate deeply with her innermost feelings, providing a sense of understanding and emotional release that touches her soul. - Why does the poet compare music to a ‘needed friend’?
Just like a true, loyal friend, music is always available when she needs it most. It listens without judgment, provides comfort during loneliness, and offers emotional therapy when no human companion seems to care or understand. - Explain the poet’s attitude towards music.
The poet’s attitude is highly appreciative, reverent, and emotionally attached. She treats music not just as entertainment, but as a vital lifeline, a healer, and an ever-present companion. - Support the opinion that this poem has a universal appeal.
The poem holds universal appeal because the emotions it describes—sadness, joy, the need for comfort, and the feeling of loneliness—are experienced by all humans. Almost everyone uses some form of music to cope, celebrate, or reflect, making the poet’s sentiments highly relatable across different cultures and ages. - Compare your experience: (Sample Answer) Like the poet, I also find solace in music. Whenever I feel stressed about examinations or personal issues, putting on my favourite soothing instrumental tracks acts as an instant therapy, lifting my spirits and helping me focus.
Vocabulary in Context (Page 197-198)
I. Positive and Negative Emotions:
- Positive emotions (happiness): lifts my spirits, most cheerful
- Negative emotions (sadness): feel blue
Fill in the blanks:
- The familiar tune stimulated a rush of nostalgia, transporting listeners back to cherished moments from their past.
- The soulful ballad expressed the singer’s anguish, leaving the audience moved by the intensity of their emotions.
- The pianist played a soulful melody on the stage, creating an ambience of melancholy.
- The festive symphony filled the air with jubilant tones, lifting the spirits of everyone present on the joyous occasion.
III. Meanings of Phrasal Verbs (Page 198):
- He’s planning to move out… → (v) to leave a place where one has been living
- Our new neighbours moved in yesterday. → (ii) to begin living in a new home or place
- …it’s time I moved on. → (i) to start doing or discussing something new
- Can you move over a bit… → (vi) to shift position to make space for someone or something
- The police officer told the crowd to move along. → (iv) to go to a new position, especially in order to make room for other people (or generally, to keep moving)
- The bus moved off as soon as… → (iii) to start moving; to leave
IV. Create Phrasal Verbs:
- Put: Put off (meaning: to delay or postpone). Sentence: The school decided to put off the sports day due to heavy rainfall.
- Get: Get over (meaning: to recover from an illness or emotional shock). Sentence: It took her a long time to get over the loss of her pet.
- Look: Look after (meaning: to take care of someone or something). Sentence: My grandmother will look after my younger sister while my parents are at work.
- Break: Break down (meaning: a mechanical failure or to lose control of one’s emotions). Sentence: The school bus broke down in the middle of the highway.
Listen and Respond (Page 199)
I & II. MCQs based on the conversation:
- How are the two speakers connected? → (ii) teacher-student
- Where is the conversation taking place? → (i) music centre
- Which musical instrument is the reason for the problem? → (i) sitar (Based on the large illustration on page 200).
- What is the problem being discussed? → (i) inability to play the musical instrument
- What has been the unsuccessful solution? → (i) practising for longer hours
- What is the final decision taken? → (ii) pick a simpler instrument
Writing Task: Invitation Letter (Page 200-201)
14, Sunrise Apartments
M.G. Road, Bengaluru
Karnataka – 560001
10th June 2026
Dear Grandpa and Grandma,
I hope this letter finds you both in the best of health and high spirits. I am doing very well here and my studies are going on smoothly.
I am writing to share some very exciting news with you! Our school is organising a grand musical evening to celebrate World Music Day on the 21st of June. I have been selected to present a solo Sitar recital at the event. I have been practising very hard for the past few months, and it would mean the world to me if you could be there in the audience to bless me.
The details of the event are as follows:
Date: 21st June 2026
Time: 5:30 PM to 8:00 PM
Venue: The Main Auditorium, St. Joseph’s High School
Please do come and stay with us for a few days. We all are eagerly looking forward to your visit.
Yours affectionately,
Ananya
